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      <image:title>Work</image:title>
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      <image:title>Work - LAtitudes: An Angeleno's Atlas</image:title>
      <image:caption>Edited by Patricia Wakida; Foreword by Luis Alfaro; Introduction by Glen Creason. This literary and cartographic exploration of Los Angeles reorients our understanding of the city in highly imaginative ways. Illuminated by boldly conceived and artfully rendered maps and infographics, nineteen essays by LA’s most exciting writers reveal complex histories and perspectives of a place notorious for superficiality. This chorus of voices explores wildly different subjects: Cindi Alvitre unveils the indigenous Tongva presence of the Los Angeles Basin; Michael Jaime-Becerra takes us into the smoky, spicy kitchens of a family taquero business in El Monte; Steve Graves traces the cowboy-and-spacemen-themed landscapes of the San Fernando Valley. Overlooked sites and phenomena become apparent: LGBT churches and synagogues, a fabled “Cycleway,” mustachioed golden carp, urban forests, lost buildings, ugly buildings. What has been ignored, such as environmental and social injustice, is addressed with powerful anger and elegiac sadness, and what has been maligned is reexamined with a sense of pride: the city’s freeways, for example, take the shape of a dove when viewed from midair and pulsate with wailing blues, surf rock, and brassy banda. Inspired by other texts that combine literature and landscape, including Rebecca Solnit’s Infinite City, this book’s juxtapositions make surprising connections and stir up undercurrents of truth. To all those who inhabit, love, or seek to understand Los Angeles, LAtitudes gives meaning and reward.</image:caption>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
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      <image:title>Work - Mimi-nashi Hoichi (Hoichi the Earless)</image:title>
      <image:caption>Conjure, if you will, the twang and deep throated rumble of a four-stringed biwa lute, accompanied by the tense voice of a blind storyteller who sits in the shadows. His song, the "Heike Monogatari," is ageless, having survived for thousands of years in the form of narrative poetry, although it has also found life in classic paintings, books, plays, films, and musical scores and is considered to be the greatest of the Japanese war stories.     This 4" x 4" book, entitled "Mimi-nashi Hoichi (or Hoiichi the Earless)" retells the story of a blind biwa player named Hoichi, whose ears are sheared off following a score of nights performing the "Heike Monogatari" song cycles in a cemetery off the shores of Shiminoseki, Yamaguchi-ken. I drew and hand carved the linoleum block illustrations to accompany the text which was printed entirely on Vandercook and C&amp;P platen presses during an artist residency at the San Francisco Center for the Book in spring 2015. The story is a century old translation from a Japanese ghost story, written down in English and popularized by the American folklorist Lafcadio Hearn and adapted for this project by me. All linoleum handcarved and printed using Ganson rubberbased inks. Twenty pages, printed on natural and jade handmade Loksa Nepalese papers. Japanese stab binding. Edition of 50.</image:caption>
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      <image:title>Work - Heirloom Botanicals</image:title>
      <image:caption>8.5” x 11” linoleum block print with watercolors, ink, paper, printed on an etching press, 2020. Commissioned by Timber Press.</image:caption>
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      <image:title>Work - I Am An American: Family 25344</image:title>
      <image:caption>Located at Inyo and Van Ness in Downtown Fresno. 3’ x 5’ cut steel panel, 2015. On May 12-13, 1942, all persons of Japanese descent living in the city of Fresno were instructed to meet at the Droge Building, where an official wartime civil control station was established, to exchange their personal identities for family numbers. The Droge Building was one of eight wartime civil control stations for Fresno County. For this permanent public art piece commissioned by the Fresno Housing Authority, I drew and carved a linoleum block depicting a Japanese American on the verge of exile— a woman who was born in Fresno and had known no other home, to express the unfathomable loss she experienced during the World War II incarceration of over 120,000 people of Japanese descent, 3/4 of whom were American citizens. In honor of my late grandmother, Miyeko Kebo, I have affixed her family number onto the print, so that her journey through the Droge Building, itself now a ghost of the past, will be remembered.</image:caption>
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